All righty right, I will express my regret that I have not seen or posted in this thread before now. Several people have mentioned
http://www.christiangoth.com , but for my present purposes I will strongly reccomend the webpage
http://www.gothic-charm-school.com/ which will when read from an outsider's perspective be useful in offsetting stereotypes, such as from one sadly misinformed poster who acts as if the gothic was founded upon the principles of satanic ultraviolence. The truth is, first of all, the word gothic, being derived from the Germanic tribe which sacked the Roman empire, and has been used throughout history as a synonym for "crude and unrefined". A good example of this definition in action would be the painting "American Gothic", which has a rather ordinary looking man and woman on a farm, except that the man looks rather irritated with his threatening pitchfork ready to chase the poor painter away if his patience is ended. This term was applied to describe the older cathedrals designs with their rough edges and gargoyles, and this cathedral application was then later applied to darker novels which had the feel of these cathedrals at night. Now, the gothic movement had its beginnings in the positive punk movement (
http://en.wikipedia.org/wiki/Punk ) which was characterized by a lack of the more riot-esque behavior of other punks at performances. The punks had/have (depending on whether one takes the "punk is now dead" view) the undergirding narrative of consistent nonconformity with a corrupt society, applied in music with a strong energy applied to performances and music. This newer style of punk music which became dubbed "goth" though, was a lot more introspective and moody, with more subdued vocals taking on an ethereal quality. The term "gothic" was first applied by press or by self to bands like Joy Division or what would become Siouxie and the Banshees for, once more, the rough edge like the older cathedrals (for example, it is said Joy Division's songs didn't really end at the end of the song, they just fizzled out into nothingness). The color black in this scene was originally largely a reaction to the oh-so colorful and cheerful disco fashion that circulated at the time which is still rather infamous.
The horror influence gothic is a lot more well known for began with the heavily sarcastical song by The Bauhaus called Bela Lugosi is Dead. It's said the influence of horror upon the gothic aesthetic and music began tongue in cheek, much like this song, although the gloomy atmosphere fit rather well with the introspectiveness of the genre. The real gothic music is generally pretty solidly underground, usually requiring special orders if you want it from an ordinary CD store. As Wikipedia writes, with me putting frequently heard genres and important points in bold:
By the mid-1990s, styles of music that were heard in venues that goths attended ranged from
gothic rock, death rock, darkwave, industrial, EBM, ambient, experimental,synthpop, shoegaze, punk rock, black metal, 1970s glam rock (not to be confused with later glam rock), techno music, indie rock, to 1980s dance music. This variety was a result of a need to maximize attendance from everyone across the alternative music scene, particularly in smaller towns, and due to the eclectic tastes of the members of the subculture; but it also signaled new shifts in attitude. Gothic rock was originally clearly differentiated from industrial and heavy metal by older participants in the alternative scene, but
newcomers and media misconceptions blurred the boundaries in the nineties as gothic rock became significantly less popular in the US and UK. Thus while industrial or heavy metal bands such as Marilyn Manson, Jack Off Jill, Nine Inch Nails, Type O Negative, Lacuna Coil, Dimmu Borgir, Cradle of Filth, Slipknot, AFI, and Mortiis were often labeled as "goth" by the media,
this categorization was strongly resisted by longstanding goths. Even more confusion was added with the rise of gothic metal, with such bands consciously using gothic imagery from the dark ages in their own music and appearance and started even following fashion trends indistinguishable from older goth ones. Arguments about which music is and is not goth became an ever more significant part of how the subculture tried to define itself.
The other significant development of the nineties was the popularity of electronic dance bands such as VNV Nation and Covenant in the goth scene. The rise of what has been called cybergoth music and style, which has much in common with techno/synthpop,
caused bitter divisions between its fans and those firmly attached to the analog and/or guitar based sound of gothic rock. Bands with a darkwave sound or those such as Soft Cell, or The Cruxshadows, which combine an electronic and gothic rock sound, appeal to both sides to some extent. (
http://en.wikipedia.org/wiki/Goth ) [/QUOTE]
Here we also see the progressive influence of underground electronic music on the genre, begun by the darkwave (New wave of romanticism in rock and roll with a dark spin) group Lycia has had a lasting but much debated role in the genre as it presently is. For all this electronic influence, you'll hear a lot of stuff like Industrial, which I would define as subversive cyberpunk music conjuring images of dystopia, machinery, and government sanctioned or nonsantioned violence, though usually more in condemnation than sanction. It is important to note that even rivetheads, that is fans of Industrial music, do not consider the groups in the "Not Gothic" Wikipedia list to be Industrial because they have sold out their authenticity to mainstream labels. For anyone interested in hearing out these styles of music, they may want to take a listen to stations like Tormented Radio at
http://www.tormentedradio.com/ and ChristianIndustrial.net at
http://www.christianindustrial.net . Some of my personal favorite Gothic and Industrial bands, both saecular and Christian together would be The Sisters of Mercy, Lycia, The Bauhaus, Saviour Machine, The Awakening, Fearful Symmetry, ThouShaltNot, Audio Paradox, and Circle of Dust.
Here I will make the important 3rd hand point drawn from a sociologist cited in a industrial musicology doctoral thesis - If society is percieved to be healthy, nonconformity with it's ways is a social virus to be quarantined, supressed and contained. However, if society is ill, deviance from it's norms is to be seen as healthy and helpful, a step in the right direction (although sporadically mistepping in trailblazing). As it so happens the Bible teaches that the sin of mankind has had far reaching and horrible effects, that those who were seriously forced to deal with these things on the collective level were inspired to sackcloth and ashes, very strange behaviour, and strong warnings - even Christ's prelude John the Baptist had the strongly subversive message that it was not in fact only the impure Gentiles who had to be baptized, but the entire Jewish nation too (and yes, the Gospel's description of his garb is a more specific description of what sackcloth actually is). Even in the Eastern Orthodox iconography, Yeshua Christ Himself is frequently shown wearing black, which would match up well with the Man of Sorrows acquanted with grief who bore our iniquities and transgressions with Him always, in both life and death, ala Isaiah 53 and the way it's used in the Gospels.
So me, I'll wear my sackcloth and ashes, knowing all the evil I see in the world and also in myself, and the innocent people who die as a consequence of greed and blind eyes, even my savior was one such when He took it all upon Himself. Oh yes, indeed, my garb is all about sin and death, exposing truth to light. It is a laced collared and cuffed funeral inspired garb with it's icon being the recurring black rose - in rememberance of my savior whose blood I drink monthly, in rememberance of my own funeral in my co-crucifixion and resurrection with Christ that I may live according to the will of God who knows all and not my own, and in rememberance of those who suffer and die as a consequence of failure to conform with that will, especially the innocent. The fact of the matter is that I'm a sinner, and anybody who reads this is one too. Now, when I look at a fellow goth, or anyone else whose dress does not conform to the norm, I do not assume that "Oh, this one must be a great sinner", unless they combine it with some other reason like looking like a cheap hooker as well, but even then, I really don't know the measure of the heart.
The gothic social itself scene seems to depend on attending gothic club nights as well as a heavy presence on the 'Net. When you get down to it, alot of the problems which are pitfalls within the gothic scene are pitfalls within our society in general really, with much more ado than deserved. However, the current obscurity of the music genre combined with the cynically mass produced gothic clothing at Hot Topic has caused a large diffusion of people who don't really have a handle on the subculture but think they do, who do various things which unfairly tarnish our reputation. As religion in the goth scene goes, first of all actual satanism is very rare. One will much more often see atheism and agnosticism. It does share a higher proportion of Wiccans than the average population, but it also has a lot of people in all the mainstream religions including Christianity.