KhakiBlueSocks wrote:"I'm going to make you a prayer request you can't refuse..." Cue the violins.
GrubbTheFragger (post: 1399673) wrote:Yeah the old boy remake was canceled thank goodness. I like will smith and all but not for that role.
KhakiBlueSocks wrote:"I'm going to make you a prayer request you can't refuse..." Cue the violins.
Rocketshipper (post: 1399191) wrote:Anyone here happened to have seen "The Midnight Meat Train".
Wolf-man (post: 1400282) wrote:Friday the 13th - I haven't seen it yet but I think it looks good. I mean as much as I liked the original movies I'm not going to lie to myself by saying that they had a deep plot.
It's good to see you too. Thank you for reminding me of the work of M. Night Shyamalan. He's a sneaky auteur of a director, both in terms of the formal presentation of his films, and their subtexts. I keep wondering if he really is conservative, or whether he's really on the opposite side of the political spectrum, and exceptionally skilled at communicating with those audiences. I like how you're into the suspense terror side of horror, those kind of films have a strong aesthetic appeal. On that note, might I suggest you check out Session 9, which is an excellent contemporary example of this style. Personally, I actually prefer horror violence to depictions of violence in other genres, because horror doesn't shy from the human suffering attached to such violence. And as far as the old blood and guts, I have something of a different perspective because I worked in a haunted house back in the day, so I readily appreciate how very fun fake blood can be. Nothing beats something like an old Hammer horror film with all that pretty blood that just splatters beautifully. As far as sexuality goes, horror is strongly related to undergoing the turmoil surrounding rites of passage, which includes the sexual development of young men and women. Sartre and Beauvoir argue "sexuality is coexistent with existence", and in this regard horror can be very helpful in dealing with the existential issues that arise with being a sexuate being. The work of Lucky McKee, for example, deals with themes of isolation, loneliness, body image, idiosyncrasy, obsession, and the difficulties of finding love and acceptance.ich1990 (post: 1400546) wrote:Hey Ghost, good to see you around again.
My interest in horror is mainly for the psychological elements. As I also have a low tolerance for gore or sexuality, my viewing of the genre is pretty limited. I do enjoy the following movies, however, which could be classified as Horror films:
The Ring
The Grudge
The Others
The Sixth Sense
The Village
Signs
Will do. I have also lately considered The Mothman Prophecies, and Shutter Island which seem to also seem to be strong representatives of this genre, any comments on either?I like how you're into the suspense terror side of horror, those kind of films have a strong aesthetic appeal. On that note, might I suggest you check out Session 9, which is an excellent contemporary example of this style.
You have a point there. Unlike kill them all action movies, there is usually meaning in every bit of violence inflicted on a person. I hadn't thought of that.Personally, I actually prefer horror violence to depictions of violence in other genres, because horror doesn't shy from the human suffering attached to such violence. And as far as the old blood and guts, I have something of a different perspective because I worked in a haunted house back in the day, so I readily appreciate how very fun fake blood can be. Nothing beats something like an old Hammer horror film with all that pretty blood that just splatters beautifully.
Sexuality is an important aspect of life, but I feel that most Hollywood portrayals tend to exploit it and sell it rather than use it as a topic of discussion. Horror movies might be better in this regard, but they tend to also be more extreme in their depictions, as if they are after a lurid thrill rather than to prove a point.As far as sexuality goes, horror is strongly related to undergoing the turmoil surrounding rites of passage, which includes the sexual development of young men and women. Sartre and Beauvoir argue "sexuality is coexistent with existence", and in this regard horror can be very helpful in dealing with the existential issues that arise with being a sexuate being.
KhakiBlueSocks wrote:"I'm going to make you a prayer request you can't refuse..." Cue the violins.
the_wolfs_howl (post: 1401562) wrote:For those who are much more well-versed in horror movies than I am, I have a request. What are some good movies that focus on a slow buildup of dread, using things other than bloody monsters jumping out at you to convey the terror, like distant sounds or slight movements at the edge of the screen? Basically, movies in the vein of Signs or The Birds or something like that? (And preferably with as little gore and sexual material as possible.)
the_wolfs_howl (post: 1401562) wrote:For those who are much more well-versed in horror movies than I am, I have a request. What are some good movies that focus on a slow buildup of dread, using things other than bloody monsters jumping out at you to convey the terror, like distant sounds or slight movements at the edge of the screen? Basically, movies in the vein of Signs or The Birds or something like that? (And preferably with as little gore and sexual material as possible.)
Wolf-man (post: 1401748) wrote:Some of these people suggested already but I will suggest them anyway:
Halloween
John Carpenter's The Thing (this does have a fair amount of gore but it doesn't take away from the suspense)
Evil Dead (There is a lot of gore and a couple nude shots but it is good for what you want)
House On Haunted Hill (original)
The Fog (original)
Jaws
Pretty much all of the classic Universal Monster movies are good for what your looking for
the_wolfs_howl (post: 1401562) wrote:For those who are much more well-versed in horror movies than I am, I have a request. What are some good movies that focus on a slow buildup of dread, using things other than bloody monsters jumping out at you to convey the terror, like distant sounds or slight movements at the edge of the screen? Basically, movies in the vein of Signs or The Birds or something like that? (And preferably with as little gore and sexual material as possible.)
Atria35 (post: 1401861) wrote:Don't know if you've seen it already, but The Shining is pretty good about this- doesn't start the attacking fun until about 1/2 way-2/3 through the movie
GrubbTheFragger (post: 1401873) wrote:Great movie there is one worrysome scene about half way through when jack nicholson is with the women in the bath tub. Other than that scene its a great film
GrubbTheFragger (post: 1401830) wrote:I would recommend Evil dead at all. Sorry but there is a fairly graphic tree rape scene and the over demonicish (yet comical) theme is a problem
the_wolfs_howl wrote:For those who are much more well-versed in horror movies than I am, I have a request. What are some good movies that focus on a slow buildup of dread, using things other than bloody monsters jumping out at you to convey the terror, like distant sounds or slight movements at the edge of the screen? Basically, movies in the vein of Signs or The Birds or something like that? (And preferably with as little gore and sexual material as possible.)
ich1990 (post: 1401967) wrote: The Others is another, and I highly recommend it.
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