I would not rate it as his best film, but I was not disappointed in it like I was Howl's Moving Castle.
chibiphonebooth (post: 1338507) wrote:whaaaaaaaaaat? howl's moving castle is one of my favorites that he has done!!
ClosetOtaku (post: 1338521) wrote:Howl's was more a rambling wreck of good intentions lost in a slow and meandering plot and -- just when you thought the movie might be trying to say something about war and humanity --it came to a sudden, silly, and unsatisfying end. A movie where its reach certainly did not exceed its grasp.
Your double negative makes it difficult to understand precisely what "anyone" believes or does not believe. To be sure, however, the fact that Disney is finally putting some real clout into theatrical distribution of Miyazaki's films is probably a major factor in increased capital gains. No longer confined to some obscure theater a long drive away, people can actually watch Ponyo at their neighborhood theater, and this gives the film a greater advantage.minakichan wrote:As for its fate in the box office, http://www.animenewsnetwork.com/news/20 ... -on-friday
On its opening day it's made just under 10 times the amount of money as previous Miyazaki films. I don't think anyone doesn't believe it's due to Disney's more aggressive marketing and the Jonas-Cyrus effect, and not anything inherent about the film itself...
Well, certainly if you take the war as the central theme, then the plot's resolution is rather abrupt. However, the characterization and thematic elements of the film indicate at length that the central theme is the search for beauty, which unfolds against the backdrop of the war. In that event, an ending in which the beauty of all participants in need is restored by love is well-suited to the narrative. Looking at it from this perspective, the plot structure makes perfect sense.ClosetOtaku (post: 1338521) wrote:Howl's was more a rambling wreck of good intentions lost in a slow and meandering plot and -- just when you thought the movie might be trying to say something about war and humanity --it came to a sudden, silly, and unsatisfying end. A movie where its reach certainly did not exceed its grasp.
GhostontheNet (post: 1339298) wrote: Well, certainly if you take the war as the central theme, then the plot's resolution is rather abrupt. However, the characterization and thematic elements of the film indicate at length that the central theme is the search for beauty, which unfolds against the backdrop of the war. In that event, an ending in which the beauty of all participants in need is restored by love is well-suited to the narrative. Looking at it from this perspective, the plot structure makes perfect sense.
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