You called? Oh, awesomeness, a dub cast! Now you have no excuse to not watch this, Steena!steenajack (post: 1427380) wrote:I'VE GOTTA TELL SOMEONE......CADENCE!!!!!!
Agreed.Mr. Hat'n'Clogs (post: 1427426) wrote:Maxey Whitehead seems like a stupid choice for Kazuma
Cadence (post: 1427969) wrote:You called? Oh, awesomeness, a dub cast! Now you have no excuse to not watch this, Steena!
See, I don't quite get this argument, especially about it adding in too many elements from different genres. I was going to wait and see if someone who isn't a dumb teenager would defend Summer Wars, but I guess I'll try.ClosetOtaku (post: 1459853) wrote:As I wrote elsewhere, I found Summer Wars to be "funny and touching and cliched and contrived". It had some memorable good moments and nice plot twists and turns. I thought the plethora of extended family members were one-dimensional. The main characters started out interesting or mysterious, but by the end of the film were predictable and bland. The only character who was truly admirable was the family matriarch -- I could have watched a two-hour film about her life with great interest.
The key portion of the story line (outside of the family reunion) tended to be overly grandiose and implausible at best. The writers tried to combine elements of slice-of-life, martial arts, romance, social satire, medieval Japanese history, and cyberpunk -- and it all collapsed under the weight.
It is certainly worth watching (taken with a grain of salt), but in my book will never approach The Girl Who Leapt Through Time in terms of endearing qualities or production values.
Mr. Hat'n'Clogs (post: 1459899) wrote:So it had a couple action scenes, specifically ones where punching was involved, and that weakened it? It made a couple jokes about the family's history, and that gave it too many elements? I also don't get why people try to bill this as a romance/sci-fi, when it's more just sci-fi with a little romance. It's like trying to call FMA a romance because it contains romance, even though the romance is definitely not the focus of the plot. Honestly, I felt the romance was kind of what it was, it wasn't portrayed as Epic True Love, it was something that kind of developed along the way, but you didn't feel any chemistry at all?
ClosetOtaku (post: 1459998) wrote:[spoiler]Next, the sci-fi. In a fantasy world, the viewer has to accept the ground rules as they are presented to them. But if you're going to try to play slice-of-life in the real world, then you have to make the real world rules believable. And so I say: Oz? Really? Sure, you have the Internet as an analogue, but the very structure of the Internet would prevent the things the Love Machine was able to take advantage of in Oz. The thought that everything from chat rooms to power grids to satellites to nuclear missiles could be tied into Oz just didn't make sense to me. (Granted, I've worked with IT since High School and have been doing computers for the Defense Department for 17 years -- and there's another thing, that silliness with the Army and all. Pure fiction rubbish.) And not only am I expected to believe that Oz is vulnerable to the Love Machine, I also have to believe that two low-level administrators are suddenly able to start taking it on, and are the only ones who can stop it. All in all, it's a distraction from the story that is absolutely unnecessary -- you don't have to reveal a lot of detail in your sci-fi plots, but if you do, you need to make it believable.[/spoiler]
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